Showing posts with label LOST. Show all posts
Showing posts with label LOST. Show all posts

Thursday, 24 May 2012

Once Upon a Time-Episode 21 Recap

Previously on Once Upon a Time: Everyone is extremely over the top! August is Pinocchio and Snow White and Prince Charming are insufferable as usual!

And now:

Proving she is as useless at being a villain as usual, Regina is having a nightmare about being ganged up on by the angry villagers who threaten her. Emma grabs a metaphorical rotten apple while Regina claims she just wanted to win. Pathetic! Regina should have called her evil dream henchmen down on this group of arseholes. Meanwhile, Emma does what she does best and kidnaps Henry and tries to leave. Henry has other ideas though and begs Emma to stay there and save everyone. Back in fairy tale land that irritating bit of semi handsomeness, Prince Charming is about to be beheaded by the King Widimore. Honestly, Alan Dale is just phoning in his lines at this point. Unfortunately, instead of being beheaded, Prince Charming only gets a bucket of water on his head. Boo. Regina saunters up to say that she has another plan...to use Prince Charming to destroy Snow White which can only mean one thing: more hours of intolerable Snow White/Prince Charming dialogue. Back in Storybrooke Regina's tree is dying so she goes to consult that expert gardener, Mr. Gold.  Mr. Gold is all "whatever, bitch" but Regina tells him that this means the curse is weakening and she needs to get rid of Emma. Only problem is, Mr. Gold put a pesky clause in their about the curse breaking if Emma died. Regina suggests he undo this clause but Mr. Gold says "no can do". He wants the curse to break-- but why? He coldly tells Regina that she doesn't have anything he wants (ouch) and that when the curse breaks her worst nightmares will come true.

When Emma crawls back home into Mary Margaret's, albeit beautiful, house, Mary Margaret starts reaming her out with her Oprah style psychology. A bit rich coming from this sanctimonious home wrecker but whatever. Mary Margaret says they are family and Emma is reverting and so on. Her piece de resistance is that now Emma has to take care of Henry. Great speech, Mary Margaret, great speech.

Back in fairytale land, and it pains me to write this, they are launching an attack on the King's castle and they need some 'air support'. I assume this means the boob Blue fairy and her henchmen, and I was not wrong.Snow White and her team of  dwarfs and other wronged peoples of Fairy Tale land overcome the King's forces with ease and just as they are about to lose...boob  Fairy attack! This ranks pretty high on my what-the-crap-ometer. Snow White is questioned about why the Queen hates her so much and smugly replies that she has destroyed the queen's happiness and now she wants revenge. I'm kind of on the Queen's side now.

In Storybrooke, Regina calls on the Mad Hatter, who looks like he should be fronting for a early 00's indie band. He says he can't use his magic but she tells him that she has a way. Mad Hatter agrees but on one condition, he wants a new life for him and his daughter. Meanwhile, Henry goes to talk to August. August gives us yet another speech about how Emma doesn't believe because she doesn't want to. Then he tells Henry he's out  of Operation Cobra because he's turning back into wood. Is it just me or is August giving up way to easily? Me thinks there is someone else here who just doesn't want to believe.

In fairy tale land the siege of the King's castle continues. Snow White thinks she has found Prince Charming but it is just a hologram. Mwahahahha. Evil laughter from Regina who says they have to meet face to face...in the place where it all began. Snow White agrees and Red Riding Hood delivers the most idiotic line of the episode-"I don't trust that woman". You don't say. Meanwhile, Regina uses her last bit of magic (a glowy crystal image of her one true love) to get Emo McGee the Mad Hatter's Hat to work. There's not enough magic to go to the other side but she can get something and Regina knows exactly what she wants-the poison apple. Her alter ego, the evil Queen, takes Snow White to the grave of her long deceased farm hand. She tells Snow that her mother ripped her lovers heart out-and it's all because of SNOW WHITE. Snow White counters with the fact that the Queen killed her dad and calls for a truce, but the Queen's not having it. She gives Snow the apple which won't kill her but keep her in a trance of her own memories forever, but she has to eat it willingly or Prince Charming will die. Of course Snow eats it. And collapses. Her friends show up and hold a meeting about whether she's dead or not. My favourite part is when Red Riding Hood holds up her sword to Snow's nose to see if she's breathing. Red is a solid bad ass.

Back in Storybrook a similar truce is being called.  Regina and Emma agree that it's best if Emma leaves but still has visitation rights and all that. Regina, having cleverly baked the toxic apple into a pie (I won't lie, that pie looks great!) gives Emma a piece before saying 'hasta la vista'. Emma says goodbye to Henry, telling him  that it's best and blah, blah, blah. Henry spots the pie and tells her she can't eat it. Of course Emma doesn't believe him because that's what she does. To prove his point Henry (who is still my favourite character on this show) takes a bite and then...collapses! A solid ending, if I do say so myself. However, I think I have to agree with the writers at EW when they say that Revenge is taking LOST's place and not any of the sci-fi and fantasy shows, like Once Upon a Time, that have tried too.

Friday, 24 February 2012

Alcatraz-Episodes 1 and 2 Recap and Review

So I just started watching Alcatraz this past week so it's time for a recap! I was pretty excited to watch the Pilot because it has all the elements of a great show, a good mystery, Sam Niell and the always lovable, Jorge Garcia. Although I intend to keep watching this show I definitely felt a bit letdown by the Pilot. First off, the opening credits were fantastic: the music, the creepy voiceover informing us that Alcatraz officially closed but THAT'S  NOT WHAT HAPPENED. Instead all the inmates and staff members, whose numbers are in the 300's disappeared and now they are coming back...without having aged. The 'not having aged' is a common theme in sci-fi, so I hope there is a badass explanation for this. Sam Niell used to be a warden but now he works in a high tech lab underneath Alcatraz where he tries to figure out where they went, who took them (I'm guessing some baddie with an agenda and lots of money but I'm hoping for aliens) and what they want. Rebecca Madsen (Sarah Jones) meanwhile is a cop who has recently lost her partner, and if there is one thing I've learnt from excessive television watching it's that once you lose your partner you are set for a life of regret, guilt and never being able to find another partner you like as much. She recruits Diego Soto (Garcia), an expert on Alcatraz. At least if everything else goes wrong on this show, we'll have Garcia who is funny and charming as usual. Emerson Hauser (Niell) also has a partner, Lucy (Parminder Nagra ), who we soon learn is one of the 63's (the people who disappeared in 1963. Derr) The inmates are committing crimes left, right and centre and Hauser and team are tasked with stopping them and finding out what they are doing here. The problem is that the bigger mystery is left alone too much and Alcatraz stays in familiar cop show territory, with Madsen and Soto catching the bad guys just in time, loads of cliches and flashbacks that feel contrived. Overall, the plot is original but the presentation feels worn out. The Pilot is essentially two episodes in one, each hour dealing with a different criminal which means that this show is going to be obligated, more or less, to follow this theme with 300 different baddies?! Since that's about 15 seasons I don't think that's what they will do, nonetheless, it seems to be the way season one is shaping up, at least. You know what? I don't like cop shows. There,  I've said it. They are formulaic, love torturing innocent characters and the cops always have their 'cop-drama' which 'civilians don't understand.' Overall they are boring and pretentious and require less writing than an episode of Jersey Shore. With that grievance aired I can say-if Alcatraz becomes a real LOST/Fringe-esque mystery I will keep watching but if it's just another cop show with a twist, I won't be.

Friday, 28 October 2011

Friday Fall TV Recap

Friday, 28 October 2011


It's that time again, time for new TV shows and, maybe it is just me but does it seem like there are inordinate amount of new shows this fall? Anyway, I've been watching pilots, (it feels like a million!) and catching up on old favourites, so in lieu of a film review, I bring you a fall TV Recap.
Community tv show photo


Community is back for a third season and as hilarious as ever. So far Community has taken on sci-fi/alternate universes/the UN/film noir and Glee. It has also informed us that Cougar Town has been moved to mid-season (I'm so depressed, I love Cougar Town). The Big Bang Theory is back and although I still watch this, I have to say, this show loves stomping over old ground and sticks to cliches like I stick to my Junior Mints. Covert Affairs starts again in November and, I mainly watch this show to laugh at it and admire the clothing choices, nonetheless, I can't wait.


Hart of Dixie-This show is so cheesy it makes cheese look, er, uncheesy. Okay, I got a bit lost there but anyway, this show is about a doctor (Rachel Bilson) who is forced to relocate to a small town stuck in a time warp. They are not really stuck in a time warp, but, er, are small towns in the States really like this? Someone please notify me if this is factual. Basically, I'm not sure I am going to keep watching this. One, I have no time and two, I hate the premise that ALL PEOPLE MUST LOVE SMALL TOWNS OR ELSE YOU ARE A SELF RIGHTEOUS AND A POMPOUS ARSE AND NOT A REAL AMERICAN. I am not a real American, being Canadian and all but you get my drift. I live in a small town and I do not like it. Some people are just city people. Ok, rant over. 




Pan Am-There are so many things about this show I love! 60's Costumes? Check. Cold war? Check. Christina Ricci? Check. Airplanes/Airports/International Travel? Check. There is no doubt that this show is filling the void left by Mad Men and/or following in it's footsteps, however, I have to say, although it is a more light hearted version I am impressed both visually and by the writing. A few episodes in and the characters are well crafted, well dressed and I am compulsively downloading the next episode. Also, someone told me I do my make-up like the French girl. Yes! I am tres chic!


Prime Suspect-Part of me feels like, yes, I love Maria Bello and Aidan Quinn and I have the hugest crush ever on Kirk Acevedo. I mean, come on, look at these two.

But another part of me is like, UGH, not another cop show. There are so many already and how many variations of rape/stabnation/gang killings are there? But, as I am a proponent of judging shows/movies/etc. based on the genre in which they belong, Prime Suspect, is a good cop show, so far. Maria Bello kicks arse on so many levels. However, he struggles to fit in with her unsupportive coworkers could get stagnant and heavy handed if not carefully managed by the writers/directors.

Once Upon A Time-This show's publicity team must be the hardest working TV publicity team EVER, this show is so hyped it's no wonder the pilot was a bit of a let down. Ok, I am fully going to keep watching because pilot's are not usually the best, especially on a show like this. Once Upon A Time is brought to us by LOST writers so I am hoping for a cracked out show which will go on for years and eventually offer up a half-arsed and semi-religious explanation for all this. However, the gist is that all the characters in a small town called "Storybrooke" or something to that effect, are part of a fairy-tale only they don't notice it because they have been put under the spell of an evil witch and her smoke monster blue and green smoke cloud. I'm not really sure if the point is that they come from some other timeline/dimension, or the fairy tale was supposed to have happened hundreds of years ago in which case-do these people just keep living the same lives over and over again and not notice that they have iPhones now? They can only become unstuck from time when the daughter (Jennifer Morrison) of Snow White (Ginnifer Goodwin) is brought back to town and the final smackdown  war can begin. When she arrives the clock is at 8.15 (LOST shout out) but then it moves when she decides to say. So...has it been 8.15 for an indefinite amount of time? And does no one notice this? These are just some of the questions/plot holes left by the Once Upon A Time pilot, but I kind of feel like saying-what part of LOST writers didn't we understand?
Once Upon a Time tv show photo

Pictures from: Here, Here HereHere Here and Here

Thursday, 30 December 2010

LOST

Since I just  finished watching LOST, after watching the whole thing over the last few months I feel it is time to write my review of the series. I know I am a bit late on the bandwagon, but I was really resisting watching it and finally succumbed. So. There are a lot of things which I actually liked about the show, mainly, I liked the flashbacks /flash forwards/ different timelines etc. I heard a lot of people complaining about this but I always fall for this kind of story telling because I feel like there is something realistic about it, not the alternate timelines exactly, but I feel like we tend to experience life somewhat out of order. Yes, obviously, we live our lives consecutively but we also look back on our lives and memories with the knowledge we now have, and, furthermore, when we meet someone new we don’t learn about them in an ordered or consecutive fashion. So, revealing the characters in bits and pieces is quite a realistic and interesting device .However, I did get annoyed by the sound effect which always signaled these flashes. I think that myself, and other audience members, are intelligent enough to figure out that hey-they were in the jungle and now they aren’t-must be a flashback! 
As  a child of the 90’s I grew up with the X-Files and I think that the same thing that worked for the X-files works for LOST that is, the idea of -what if we’re just  floating around unaware of CRAZY things going on?  What if you crashed on an island and not only found a lot of weird animals and mangos but a weird corporation from the seventies, a smoke monster, and some guy in eyeliner that doesn’t age? When I was briefly a film student I read an article which explained that we can understand films and television shows because we have dreams which function in a similar way. I think that in a sense shows like LOST work because they have that dreamlike quality, which is to say, a lot of weird things happening that don’t need explanation because it’s  LOST. However, even though on one hand I like this, on the other there were moments of sheer incredulity and me wanting to smash my laptop. Michael was the bane of my existence for the first few seasons. Basically all he did was yell gratingly and, yeah, I guess the idea was that he just wanted to save his son and a person will be compromised when trying to save a child but could anyone have done it in a more annoying way? AND basically he’s a big jerk and screws things up for everyone and no one even gets to kick his ass.

 I guess that watching a series back to back is probably unwise because one gets to feel the full force of the clichés, musical montages, and artistic devices. I mean, after a while the touching ‘being reunited’ scenes provided more a sense of déjà vu and less a sense of being, in any way, moved. You really want to get into it when the characters come up with a plan to get off the island, or set the timeline straight or etc. but come on, we’ve seen Gilligan’s Island, we know they aren’t going to get off the island. One is left wanting to yell at the television- DON’T DO IT, IT WON’T WORK, THIS IS ONLY THE SECOND SEASON! And just like Mulder was never going to find his sister, the islanders are never going to find answers. Furthermore, of course, each episode has to end with twist or mystery but most often they take so long in getting back to the mystery that by the time it’s solved, you do not even care, nor remember.
The key to success on a show like this is to leave as much to the imagination as possible. And LOST did this surprisingly well. There were a lot of scenes which were just plain creepy: skeletons in caves, mysterious temples, weird dreams-or were they? Magical numbers, coincidences, etc. The feeling of the show was well crafted and for this I give them two thumbs up.
It’s also interesting to note the difference in cultural climate from the beginning of the show to its finale, and the present. In 2004 when the show began, the multi-cultural cast was noteworthy. As someone who started watching it in 2010 I didn’t even notice this until someone pointed it out to me. Something, which I think says something about cultural views and what’s shown on television. It also tells us what kind of political and social climate there was when the show began. As this isn’t an article about that we won’t go there, but it does demonstrate how art affects life and life affects art.
Lastly, let’s talk about the finale. The finale is arguably the most important part of any show, because, let’s face it, even if you were less than a fan, everyone suddenly wants to know what happened, who ended up with who, etc. Not only that but you are suddenly overcome with nostalgia for the show, as if it’s an old friend who’s been lurking around, always there for you. Considering this, how did LOST stack up? First of all there were a lot of cheesy montages and flashbacks to the previous seasons which is a must. Basically, I love musical montages and if there’s anything that gets me going, it s a musical montage. Secretly, I believe that everyone loves musical montages, even if they vehemently deny it. With that in mind, the LOST finale did not disappoint. Also, bringing back all the dead characters was a brilliant move because seeing dead characters is always a touching homage to the first seasons. However, unfortunately, the finale also, did not make any sense. Half way through I started to think Frodo was about to show up and lead them all to Mordor to destroy the ring, er, John Locke,  er the smoke monster. In fact the whole subplot of the two brothers warring over the Island was altogether ill-advised. I was on board with the idea of people, ideas, corporations etc fighting over the island but then these two show up, in a sort of half assed Biblical reference that isn’t really a Biblical reference at all. And the little plug thing in the ‘heart of the island’ was overall a pretty half hearted attempt to resolve the show. Up untill that point you sort of thought the smoke monster was a kind of good guy, towing a harsh line, but suddenly he represents all the tiki-tiki evil in the world?  And, of course you had to imagine that they were all dead, or in a dream. All I can say is, thank goodness they didn’t go down the dream road. However, the dead road just sort of went to a bad place. They all meet up, but they are in a timeless, heaven-y church thing WHERE ONE OF THEM HAS A BABY WHICH MAKES NO SENSE AT ALL UNLESSTHE BABY DIED WHICH WAS NEVER MENTIONED. Anyway.  So they all meet up after having lived long and good lives-we assume, since we are never told anything, and everyone is with their Island dream partner and rah, rah, rah. Oh and Jack’s dad tells them everything they experienced was real…but., what? Are there two realities that are accidentally meeting? Is one of them purgatory? Who can know? The problem with a show like LOST is that it was never meant to end. You had to keep watching because, yeah, the twists were good, and, being on an island and uncovering it’s mysteries is a good enough plotline without it being a magic, time travelling island, but inevitably you have to give answers and the answers that anyone can logically, or illogically come up with are not as good as the unknown. I am assuming that some of the twists thrown in were never meant to be answered, they were just there to be creepy, and fuel the idea of the island as being otherworldly, so when they were forced to give an answer it just couldn’t be done in a good way.
In conclusion-love it or hate, LOST is a part of cultural vernacular now, and with good reason. Maybe it’s a cliché but in a time of cultural strife LOST was trying to say-COME ON GUYS, THERE ARE BIGGER FISH TO FRY.

Overall ratings (out of 10)
Quality of escape plans hatched- -10
Political Correctness- 10/10
Creepiness factor-8/10
Fromage-6/10—a fair amount
Eyeliner-11/10
Time travel theories—10, made negatory sense